Ty Carter – Session 9 Color Script Part 2 : 3 Structured HD Video Tutorials with commentary, annotations, and detailed process demonstration: Part 2 Color Keys A (80 min.), Part 2 Color Keys B (90 min.), and Anatomy of a Color Key Masterclass (71 min.)!!
Crash course for using photoshop to create color keys
In depth Explanations and demonstrations on photoshop tools used for painting, including:
- Hue/Saturation/Brightness adjustments, Color Balance, Levels, Blur types, Lasso Tools, Selection Saving, Pen tool and much more!
- Approaches for designing light shapes
- Creating transitions and options for presentations
- Translating complex geo into basic shapes
- Professional techniques and processes
- In depth Explanations and demonstrations on color design process, color scripting approach, color theory and step by step instruction
- Professional techniques and processes
- Full Res Images (9 JPGs)
- Raw PSD File, including all layers!!! (9 PSD Files)
- Timelapse Video showing all part 2 keys (.MOV)
You’ll learn:
- to build a color script
- to take advantage of all photoshop has to offer
- to work more efficiently
- to give variety and appeal to your work
- to effectively modify or articulate specific notes from a director
- to approach your keys with more forethought and preparation
- to manipulate inherent emotions in color
- to preserve temperature
- to incorporate symbols into your work
- to create campfire, torch, and artificial lights
- to efficiently use Photoshop tools to build color keys
- to organize brushes
- to design light shapes
- to paint moonlight and night sky
- to render shadow occlusion
- to paint large scale architecture
- understand and utilize relative colors
- to paint with active and passive color
- to paint different times of day
- to build up a focal point
- to light a scene using an off screen light source and shadows
- to avoid tangents and tension points
- to create rhythm/balance within your work
- to push atmospheric perspective
- to add scale and depth to a scene
- to suggest detail without overworking
- to paint architecture
- to utilize photographs as a basis for starting a key
- to push your warms and cools
- to build depth in a scene
- to build atmospheric perspective inside a closed environment
- to wrap forms using temperatures
- to design and pool light
- to render complex shapes
- to retain vivid colors from rough to finish
- to add final touches using modes and PS adjustment layers
- to break forms into simplified shapes
- to translate complex shapes into simple paintings
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